Digital Photography Tip - How To Photograph Christmas Lights

Christmas is coming and so is the urge for us who love digital photography to get out there in the burbs and photograph the beautiful Christmas lights. It's a beautiful time of year and when you are as passionate about digital photography as I am, then this is the time you whip that digital camera out.

Taking photos of Christmas lights with your digital camera can be a very disappointing experience for digital photography enthusiasts. Pictures of Christmas lights in digital photography are aimed at being crystal clear with beautifully bold colours and hopefully we can capture the delicate glow that radiates from the lights themselves.

But...Christmas lights don't always provide the ideal digital photography experience does it? J In fact, in digital photography, Christmas lights can turnout to be smudged dots of colour, like water over ink and way too dark. The first time I took a digital photography image of Christmas lights the flash went off accidentally causing a flattening out of my images not to mention the lovely colours disappearing and it ended up just being a digital photo of the neighbour's front lawn. Not to mention how it set the dog off barking!

So just what is the digital photography secret to getting crystal clear shots of our suburban Christmas lights?

Okay now I'm going to share a secret with you. The best way to get suburb results of sharp, colourful Christmas lights is to choose the house you are going to photograph. Depending on where you live and how fast you can run, you may need to tee it up with your neighboughs first and offer them the photo. The same rules apply with your Christmas tree.

Take your tripod with you. Take your digital camera off "auto" and take it off "auto flash".

Now try a method called bracketing. Set the aperture at a wide f stop, such as 2.8 or 3.5 for example. Then proceed to try some different settings. Set the shutter to 1/30 or higher. I'd recommend, if it's really dark in the street something around the one second, two seconds or three seconds shutter speed.

There is a groovy little trick you can also do for helping you learning faster, about what works in digital photography and what doesn't. That's recording and documenting your digital photography experience. I usually take a note pad with me and write down the number photo and the f stop and shutter speed so when I look at the photos I know which digital photo has worked and what has not.

But in the dark it's very hard to write down anything so you can do what I sued to do, and that is record on Mp3 what your settings you had on what photo. For example you can record yourself saying "picture one, f stop 2.8, shutter speed 2 seconds." Then again as you have tried another setting "picture seven, f stop 22, shutter speed 1 minute."

These are just examples but they really work. Don't forget the basics with your night time photography such as wide aperture and slow shutter speed and the necessity of a tripod.

If you are in a moving vehicle for example and you are taking shots of Christmas lights from a bus or car, then you can always use the maximum aperture and a smaller shutter speed. For example f stop 1.4 and a shutter of 1/350 or higher.

And don't forget if you do have the time to set up a tripod and try the bracketing technique (ideal) also remember if you have the shutter open for a while the light can bounce off other objects such as windows and roofs. If you get too much reflective light, simply reduce the time the shutter is open.

Good luck and may you have a beautiful Christmas!

Happy Shooting,

Amy Renfrey

P.s Take a look at the photo used to describe the article; http://www.nomorebadphotos.blogspot.com

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Studio Photography and Digital Backgrounds

The article given here was written for Adobe Photoshop 5,6,7,CS, and Adobe Photoshop Elements 2 and 3.

Most photographers who are serious about improving their portrait taking skills have realized that a beautiful background can greatly enhance their photographs.

Muslins are a very popular choice among professionals. However, they can get very costly at several hundred dollars each. For the professional who is well established, this may not seem too much, but for the hobbyist, this may be a stretch.

A less costly alternative is a digital background. With a digital background, one can get the look and feel of a professional looking portrait without the additional cost of muslin.

Many Photography websites also sell digital backgrounds on cd. In some cases...as low as .00 dollars for an assorted collection. As with anything else...you usually get what you pay for. Some of these pre-made digital backgrounds are not worth the cd they're printed on, but some of them are very beautifully made. Even so, you may be wondering how YOU can make your very own digital background. That being said, the following information will help guide you along the way.

Okay, let's create a digital backdrop using Adobe Elements 2.0. We will create an 8x10 300dpi (dpi = dots per inch or ppi = pixels per inch) digital backdrop. For printing purposes, 300dpi is strongly recommended for a high quality print. This will also create a large file approximately 20.6megs.

Having a fast processor (Pentium 4 or Athlon XP) and at least 256megs of ram will definitely help. Also having your screen resolution on your monitor set to its highest setting 24 or 32bit will give the best results.

Okay let's begin! If you haven't already opened Photoshop Elements, do so now.

1. Click on File

Photography

Digital Photography Green Screen Techniques

Using a digital photography green screen is easy. The screens are used in both still photography and videos although it's more common in video photography.

First off, you need an actual green screen. Despite the name, this can be either green or blue in color. The choice of color will largely be dictated by what you are photographing as you want to make it easy for your software to isolate the intended image with you.

Purpose made green screens are readily available from around . You can look for them in places like eBay, Amazon or your local photo store. Alternatively, you can make your own from fabric or even by painting a roll of paper. So long as the color is consistent, you'll be fine.

Next up you need to make sure that you have good lighting for your digital photo. This is especially useful when you come to edit your pictures as extra shadows can confuse any automatic software options that you choose.

Although you can buy expensive lights, you'll probably find that you can get very good results with just a couple of fluorescent tubes. Place them both upright, in front of your subject and to either side. This way any shadows should be canceled out.

Then take your photographs.

Once you're happy with these, the time has come to edit them and put in a new background. So your "talking head" shot now shows you in a news studio, in front of a street scene, or just about anywhere else you choose.

Much will now depend on your photo editing software.

At its most basic, you will need to trace round the outline of your chosen image. Programs like Paint Shop Pro and Photoshop have tools that will help you to do this. But it may still take a while to tweak the places where the automatic software recognition program isn't as accurate as you may like. This is where the contrast between the green screen and your subject matter comes in handy as it gives your chosen software a much better chance of doing a good job with as little of your help as possible.

Once you've got your image selected, you then need to use another option to digitally "lift" the image and then drop it onto your chosen background. Again, this will vary with your software package but providing you can get the software to just copy the selected area, you'll be fine.

It may pay you to practice doing this with a simple shape such as a rectangle or a circle so that you don't waste lots of time tracing round a complicated image only to find you press the wrong key at the wrong time. It's at times like these when you're grateful for Edit Undo options but personally I wouldn't rely on them one hundred percent.

It's then a relatively easy matter of dropping your carefully cut out selection on to the new picture. So you can then pretend to be talking to people from in front of the pyramids of Egypt or anywhere else you prefer.

Photography